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EXHIBITIONS
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Yuki Onodera solo exhibition
Zeit Foto Salon
Matsumoto-Bldg, Kyobashi,Chuo-ku,
Tokyo
Japan
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Umberto Ammiraglio: Focus On Venice
AD PLACE Venice
San Marco Fondamenta della Fenice 2557/A,
Venezia
Italy
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Hiroyuki Masuyama: After J.M.W. Turner. The Last Journey to Venice
Studio La Città
Lungadige Galtarossa 21,
Verona
Italy
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Views from China: Yang Yongliang and the Modern Metropolis
Nevada Museum of Art
,
Reno
U.S.A.
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Optical: Beauty in the Mundane
Raandesk Gallery of Art
16 W. 23rd Street,
New York
U.S.A.
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Miles Aldridge
Brancolini Grimaldi Artecontemporanea
via Vicolo dell'Oro 5,
Firenze
Italy
Read more...
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HEY FOLKS! This section of Zoom-net.com is still under development!!! Works in progress will be accomplished asap.
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Romano Cagnoni
Romano Cagnoni is one of the world's
great photographers in the reportage tradition. Notably, Romano has
for the most part created and researched his own assignments,
preferring to retain full control of his work when he has sold them
to the top register of international magazines. He is the recipient
of the USA Overseas Press Award, the German bronze medal Art
Directors' Club, many Italian Prizes and, most recently, this year
the Werner Bischof Silver Flute. He has had 41 solo exhibitions,
including Biafra at Trafalgar Square and Witness at the
Photographers' Gallery, London, in 1969 and 1971 respectively, and
the retrospectives The world in focus and Chiaroscuro in Milan from
2003 to 2004, as well as participating in 42 group exhibitions. The
color photograhs of the warriors seen here were taken in Chechenya
in 1995, the first time a photographer set up a studio in a war
zone during fighting. Romano answers to some
questions……. Photography, particularly in black and
white, seems to me to be the most ideal, new and extraordinary form
to bring into the foreground the affairs of men with all their
individuality and contradictions. I think that the story of
personae is the story of all the stories. To photograph world
events allowed me to be present in situations where people were
obliged to reveal themselves, therefore I could, in terms of
content, avoid any rhetorical posed photography. Certainly in this
visual process, I remembered the golden
section Apologies for my references to the
old masters. After all, though we live in the 21st century, a great
number of modern painters like Mondrian used in their work these
classical studies on visual proportions. I had number of
exhibitions in the last few years. The one I am most satisfied with
is a retrospective held in Milan at Arengario Palace in the year
2004. My title was "Chiaroscuro." Beside the international use of
the word in its meaning related to the visual arts, chiaroscuro
also means an alternation of changing fortunes
from painful to good humour. This title portrays the essence of my
work. I have often looked at life with an amused eye, perhaps to
compensate for so many years spent in photographing pain. If you
can't cry, you can't laugh.
From:
http://thefreemanview.com
Curriculum Vitae
© Romano Cagnoni
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Prints: 1/12 | |
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